Well, anyone who frets that corporate ownership of news organizations controls their news and opinion can take some solace in Roger Friedman’s out and out pimp-slap at his own company’s $200 million dollar flop-to-be, The Day After Tomorrow:

Hilariously awful in most places, with an incoherent script and questionable acting, “Day After” will come on Friday and the question will be: Can innumerable, mind-numbing special effects, nearly all of them created on a computer and placed in what can only be called a random order, overcome sheer inanity?